Why there shouldn’t be a Fast and Furious 8

Now before I continue, first watch this.

Now, spoilers ahead.

That is how the 7th film ends. With a very respectful and well put together tribute to the late Paul Walker. Now I’m a person who really disliked this franchise. I thought it was a shallow and boring piece right from the first film. I hated what it stood for and that it makes so much money when other better films struggle to make an impact at the box office. But, even I found this tribute to be fantastic. When watching the seventh film, I connected with the characters and their family unit. See, when the film was good, it wasn’t during the chase scenes or fight sequences, it was during the character pieces. When Vin Diesel spoke about the group being a family, the humorous banter among the characters, the sense of unity when Hans died, and the final scene when they see where Brain really belongs. With his family.

Now when they were shooting that final scene, it was after when Paul had died. So the reactions from the characters about them losing a family member is very real. The actors were all very close as having been on the same project for a number of years. Everything was authentic.

Now you ask what does this have to do with an eighth film. This film ends perfectly. Some say it has an open ending, but it is also all wrapped up. Bad guy is caught, old romances rekindled and Brian returns to his family for good. It’s a perfect ending. It ends on a sentimental note. You can’t ask for a better ending. To do another film would do a big injustice to not only this ending, but to Walker’s tribute. How do you follow that? The death was something that affected not only the film makers but the huge fan base. And to carry on the series would be to “brush it under the carpet”.

Now I’m realistic, I know too well that with this film making $800 million worldwide in its second week, it screams for a sequel to be made, but from a critical point of view, there is such a thing of spoiling a good thing. Too many films ruined by studio greed with the dreaded sequel. Before this film the franchise resembled a line graph where the dots were forgettable films judged only by their box office performance. Now the seventh actually put some life into the film, took it out of the graph and into our hearts. With that, it would be a massive shame to see it go back to another statistic.

Looking at: Fast and Furious 7

Gonna put it out there, I had very little expectations for this film. I’ve seen the first and fifth film and didn’t like either. I had to give this a watch due to the $300 million it made in the first three days. What drove the hype around this film was Paul Walker’s death in the film.

Now, the film was a lot better than expected. Yeah it had the normal action film tropes which couldn’t be ignored but it’s called fast and furious so what you’re gonna expect. The story, Jason Statham is seeking revenge for his brother being in hospital which is what the protagonists did. He hunts the, down, there’s shootings, driving, killings, helicopters, drones etc. It’s a story that a child could’ve come with. A constant repeat of set ups with even more ridiculous and unachievable goals. But hey it’s dumb fun. I use the word fun very loosely however.

But the film’s biggest achievement was through it’s sentiment. There’s a big feel of family and loyalty among the characters which does make them interesting and pushes the film beyond the standard action film. Walker’s death was handled very well and respectfully in the film, I won’t say what happens to him but the film does give a very fitting tribute to him throughout the film which is where it shines.

Not a groundbreaking film, but enjoyable.


Looking at: Chappie

Enter the world of Chappie. Neill Blomkamp’s latest venture into the feature film game and it couldn’t come at a more pressing time with the news of him helming the next Alien film.

Chappie is a robot who has gained a consciousness and has to learn life much like a newborn child. I personally really liked this film. It is a mash up of Short Circuit and the original Robocop, both fantastic films. I liked that it featured the South African group Die Antwoord, they had great screen presence and had good dynamics with the title character. Hugh Jackman’s appearance as mullet wearing villain wasn’t unwelcomed and Dev Patel’s geeky scientist was nice but a bit in the background. With the scientist, Chappie was his creation but it’s Die Antwoord that really had the influence on him. At times, Patel would appear to give Chappie some life advice then run away in fear for most of the film.

The film does struggle to find it’s audience as it has the adorable “better at being human” robot who then suddenly becomes a bad-ass and starts carjacking. It’s too much for children but not enough for adults.


However, my biggest problem with Chappie was the final moments. These are big spoilers so don’t read on if you haven’t seen it. Towards the end, Patel’s character get’s mortally wounded and Chappie is also “dying” due to his battery running out. Chappie found a way to “upload” his consciousness to a computer. He then does this with Patel’s character and transfers it to another robot who then becomes Patel. This doesn’t work. Especially not the way it’s portrayed. It was very lazy, not something I fully believed in. The film was doing very well before the ending. A lot of things in this film happen with great ease, there isn’t anything challenging which again goes to the film not knowing what it wants to be. Everything’s confused, themes are mashing up against each other and it changes tone left right and center.

All in all, great film, just confused in parts.

Trailer: http://www.youtube.com/watch?v=HhNshgSYF_M

Bill’s 2015 BAFTAs

Right with the awards night just a week away, time to pick my winners. This is in order as they appear on the website. Am sticking with the big categories which is the same I’ll do with the Oscars.

Best Adapted Screenplay:

Gillian Flynn – Gone Girl

This was a no brainier in my opinion. Not only did she write the best selling novel it was based on but also created the fantastic screenplay.

Best Leading Actress:

Rosamund Pike – Gone Girl

Great performance, Pike wonderfully captured the calculating nature of Amy.

Best Animated Film:

The Lego Movie

Everything’s awesome, need I say more?

Best Original Music:

Alexandre Desplat – The Grand Budapest Hotel

It’s been a pretty dry year in terms of music but I’m gonna give it to Alexandre Desplat as it takes you back to the slapstick comedy days.

Best Original Screenplay:

Dan Gilroy – Nightcrawler

This was a tough one, a lot of great screenplays in this category but I have to give it to the very clever and unnerving Nightcrawler.

Best Cinematography:

Emmanuel Lubezki – Birdman

This was also a no brainier. Creating the illusion that the whole film was done in one take could only be achieved by clever editing and camera work.

Outstanding British Film:


A very strong category but Pride takes it with it’s warm and triumphant nature.

Best Director:

Richard Linklater

This was the hardest. All great films and wonderful talent at the helm but I have to give it to Richard Linklater for heading up one of the biggest cinematic achievements of recent history.

Best Editing:

Tom Cross – Whiplash

Before I gone on to the winner, why The Imitation Game is in the category is beyond me. The editing was very much average at best, nothing like the intensity of Whiplash.

Best Film:

The Grand Budapest Hotel

The big one. Going by enjoyment factor alone…The Grand Budapest Hotel. Very fun and interesting film. It definitely stood out this year.

Best Supporting Actor:

J.K. Simmons – Whiplash

No one else comes close to this. Just watch this and you’ll see.

Best Support Actress:

Patricia Arquette – Boyhood

Her last scene in the film, which completely wraps up the feeling of the whole film, was enough to surpass everyone else in this category.

Best Leading Actor:

Jake Gyllenhaal – Nightcrawler

Calling it now, this is Jake’s year. Such a strong performance and captures the very unnerving nature of the character who is hell bent to getting what he wants.

Hope you enjoyed that guys.