Looking at: Star Wars VIII – The Last Jedi (SPOILERS)

Is that time of year which can only mean one thing: new Star Wars movie!

This has been an interesting week. I saw this film on the opening Friday and came out thinking – “I need another viewing”. Cue a week of endless reviews and debates on youtube, among friends and all over the internet. I’ve never seen a film being this divisive before. People either hate it, love it or are just meh about it. For that first week I was in the meh camp. After watching it again today, a week later, I am still in the meh camp, but less meh as before. The short of it, I liked it. It wasn’t amazing nor was it terrible. I will go through the film though as there are some common elements among fans and critics that I feel I should give my two cents on. Instead of normally separating it into likes and dislikes, am just gonna go through the film, from start to finish and pick out the hot topics (these may not be in the right order as am doing this all from memory). In case it isn’t obvious, spoiler warning.

The Phone Call

So let’s start off with the opening joke. The resistance are escaping a base which is about to be destroyed by the First Order and their dreadnought, a big ship with big guns. Cue Poe flying in on his x-wing to deliver a message to General Hux. This is the first of many jokes in this film. Poe is playing with Hux here, giving a “your mum” joke and some others. First viewing I loved it, second viewing, pretty much the same. I thought it was funny and set the tone for the film. Now, the jokes have been heavily criticised online, and for some I agree, not well placed. But on the whole, I liked it, thought they fit well with the tone and were actually funny. However the person who played the guy on the bridge of the dreadnought should be in the role of General Hux, he gave a great performance.


As part of the take down of the dreadnought, bombers (yes, bombers, useful in an environment where there’s no gravity) are coming in to destroy it. I loved this sequence. Filled with great action and set pieces. There was a very dramatic moment when at the end, the last bomber left had to sacrifice herself to release the bombs. Well shot and well performed. Following this is the beginning of Poe’s arc. Leia slaps him in anger to his operation which costed many lives. I really liked Poe in this film, I thought he showed great growth as a character over the course of the movie.

Snoke and Kylo Intro

Next (I think) we have Snoke and Kylo’s first scene. Following from the last film, Kylo has been defeated by a character who has never used the Force or a lightsaber. Obviously Snoke would be very upset, forcing Kylo to get rid of his mask (thank you!) and basically humiliating him, driving to be better. First watch, I wasn’t that convinced with Kylo this film, but now I think Adam Driver is doing so well with his character and portraying his conflict. Snoke…we’ll get to him later.

Finn’s Leaking Suit Thing

After that scene with Leia, we have Finn awakening from his coma (or whatever) in a suit filled with liquid and is suddenly leaking everywhere. First time I didn’t think much of it, but second time I would have to agree with the fans that this seemed out place during a moment where heavy losses are made. I don’t know what was suppose to be achieved by this scene but it didn’t work. Didn’t laugh, didn’t really react. It was just “oh look it’s Finn”. Unlike Poe, Finn’s arc seems to go backwards. In The Force Awakens, he was one of the main driving forces of the film. He went from being the coward who wants to run away to being a hero almost. In this film, he’s sort of still being a coward but then becomes a hot head fighter, like how Poe starts. But there is more to do with Finn much later.

Opening Luke Scene

So next we pick up where the last film left off with Rey and Luke on the island. Another hot topic, once presented with his (and his father’s) lightsaber, Luke just tossed it away as if it was nothing. Many a fans hated this moment, though to be out of character, stupid and etc, but I just laughed. I thought it was the perfect introduction to this version of Luke. It shows him as a broken man who has completely left behind the world of the Jedi. Great direction.

Leia Poppins

Fast forwarding a bit. Two things to talk about here. First is Kylo’s bit. Kylo is flying into the ship (I hope you spotted the visual references to Phantom Menace) and is going to destroy the bridge to the resistance cruiser, but he senses Leia on there. He hesitates. Fantastic acting here. Loved it both times. But then, his flanking TIE fighters bomb the bridge and out shoots Leia. Now this is another hot topic. Leia managed to use the force to put herself in a bubble and then, no word of a lie, use it to fly back to the bridge. This looked silly. Very very silly. Now, obviously we had the unfortunate demise of Carrie Fisher, essentially bringing an end to her portrayal of Leia. Now in interviews it has been said that she would not be resurrected with CGI in the next film which hints at the possibility of her being killed off in this movie. When I first saw this, I thought that’s it, she’s dead. How unceremonious but hey, that’s war. But no, she just fly backs. Another thing I thought when I first saw it, which I think would be much better, is that Kylo actually saved her with the force. I thought that would be fantastic for his character, he’s so conflicted that he went and saved his mother in secret, but no, Leia used the force and flew back to the ship. I don’t know, it was just very silly and I didn’t buy it. To quickly note on another hot topic which was Admiral Akbar’s almost looked over demise…and? It’s war, this stuff happens.


Hate them. Absolutely hate them. Didn’t mind them at first but they are so distracting. No, don’t like it.

Luke Milking a … Thing

Yeah that was pretty disgusting. Rather not see that again.

Vice Admiral Holdo (Hodor?)

Literally, I kept hearing her name as Hodor. Hold the door! Anyway…I like Laura Dern. I think she does well as an actor and does quite well here. But, withholding her plan from Poe? I mean, I get it, it’s done to put him in his place and so that he can go and develop in his arc, but man, so much could’ve been avoided because of it. Such as….

Canto Bight

Ok, this entire section, this entire Finn/Rose subplot…terrible. Let’s start off with Rose. A maintenance worker from what I can remember? A very naive and idealistic character, trying to do the best by her late sister and be the best rebel she can be. She stops Finn from running away (yep, clearly he didn’t learn anything from the last film) and then they end up going on a mission to Canto Bight. So the First Order has this technology which can track through hyperspace (Rogue One easter egg anyone?). The team would need to sneak aboard their ship to turn it off. To do so they need a master code break to hack their systems. Where can they find one? Poe goes to ask Maz Kanata, a person whom he never met before…ok. I didn’t really think much of her in The Force Awakens and still don’t here. It’s like in a game, she’s the quest giver and that’s her only purpose. Be sure to get back to her at the end to pick up your experience points. Anyway, so they have to go Canto Bight to find this mystical code breaker. On this planet (city?) is a casino filled with the very wealthy and big horse like creatures. This place is like watching the prequels CGI again, just ugly to look at. Now I know there’s a message in this sequence about animal cruelty and evil existing in the good but it just doesn’t work with the rest of the film. It’s placing feels so artificial and it doesn’t even amount to anything. Finn and Rose end up getting thrown in jail where they bump into another code breaker played by Benicio Del Toro. I actually liked his character, he’s a man who doesn’t pick a side as he would rather live free and not committed to a cause. Living in the balance as it were. But they then escape, but not before rescuing those horse things and wreaking the casino. More bad CGI and ugliness. Now I ended up clock watching in this film. For me, that’s never a good sign and I reckon shave this sequence down (or cut it completely) and the film will be perfectly timed. It was definitely too long and dragged in parts, particularly this sequence. On a side note, I loved BB8 in this bit. Taking out those guards with the coins and helping DJ steal ship, bad ass droid right there.

Rey Reaching Out

Sorry, but I thought this was funny, especially sarcastic Luke. I love sarcastic Luke.

Luke’s Portrayal

Another hot topic. Luke is a much more defeated and darker character in this film. After Return of the Jedi, he took Ben Solo and a bunch of others to start a new Jedi order. However it all came crashing down when Ben went over to the dark side and destroyed the temple and killed some of the other padawans. This causes Luke to go in exile and give up the Jedi way. I love this. I thought Mark Hamil did great acting here and this character’s journey feels so real. During the sequence on the island, Luke comes to criticize the Jedi. He refers to the events of the prequels where at the height of their power, they allowed the Sith to grow and take over. Vadar was discovered and trained by the Jedi. This is great stuff and it leads to his belief in why the Jedi should end; and I agree. We are at a point where having the Sith and Jedi shouldn’t be anymore. No more good and evil but just Force users. When I first saw the title “The Last Jedi” I didn’t think no more force users or the end of days, I thought, this is the end of good and bad. No more stark contrasts and typical hero stories but layered and interesting characters. Overall, I was happy with Luke’s portrayal, except for one bit. Now I’m still unsure about this bit having seen it again, but this is the part where Luke decided to kill Ben. A man, who sought to seek and try bring his father, the second most evil man in the galaxy, to the light. A family loving man who decided to go and kill his sister’s and best friend’s son, his own nephew. Albeit a “fleeting thought” but I find this very unbelievable for his character. Now I get that character’s change over time and such, but Luke’s characterization was so defined in the original trilogy, and at the height of peace time without any known major conflicts Luke decides to act like this? If this is was a D&D game and a player did this, it would be seen as out of character and the other players would be like “what the hell man, what are you doing?!”. But I have thought of a scenario where maybe this could work. So during this whole build up of the Jedi order, Luke became too big for this boots. He was overwhelmed with pride in what he is doing that he sees Ben turning as tarnishing his beautiful school, making it a selfish act to kill so easily. That I think I can live with. It also fits with what he was saying later on about being a legend and how unfulfilling it actually is. To quickly mention however, R2D2 playing the clip of Leia, brilliant. Totally on board.

Rey’s Training

Wait that was training? Did they forget to film some of it?

The Force Link

I don’t know why people are getting angry at this use of the force, it’s brilliant, and we had people in the past be able to connect via the force so why not have this be a more advanced version of it?

Snoke’s Death
Ok, the big one. Basically, Snoke dies, about half way through the film. Moving on…

No, kidding. Kylo brings Rey to Snoke and whilst he’s toying with Rey, Kylo straight up murders Snoke. Cuts him in half like Darth Maul was. He does this by moving a lightsaber that was RIGHT NEXT TO ALL POWERFUL SNOKE! Now, I am very mixed on this. I liked that the film had the balls to kill off a character like Snoke and it furthers Kylo’s ascension (see Kylo’s Ascension), but dude, the way it happened was not that cool. Here we have a menacing and evil being who can connect Kylo and Rey through systems (yeah, the force link was a result of Snoke) and just flap them about like rag dolls, and then Kylo just kills him like a punk. I don’t know, it just really undermines his character. The whole not knowing much about didn’t really bother me that much, but I must point out something. So there is a point here that some are trying to make about in Return of the Jedi we are introduced to Darth Sidious without any backstory or anything, and he also dies in the same film, due to over confidence and not fully knowing his apprentice…huh, that sounds familiar. Anyway, similarities aside, they make this point against the people who are complaining about how there’s no backstory on Snoke. But, Darth Sidious did things in Return of the Jedi. The way he manipulates Luke and Vadar, his many mind games, amazing performance and a cool force lightning scene. So when he was killed, it was satisfying. Here, a dude just died and no one really cares. Just, feels like a wasted character, he could’ve been more. I will talk about the build up from the Force Awakens later on, that’s a much bigger topic.

Saying all of this though, there is one bit of backstory I would’ve liked to have seen. How the hell did Kylo and Snoke meet? You have Kylo training with Luke and Snoke manages to turn him? How? Did Kylo go to normal school one day and there was that weird science teacher showing him strange experiments who turns out to be Snoke?

Kylo’s Ascension

First time I didn’t think Kylo going full dark side was enough for the final film. He didn’t seem to have the presence or maturity to be an adequate antagonist. Then I watched it a bit differently the second time around. I began to appreciate his journey through the film a bit more (also, what fantastic acting). My next point also makes me agree with the decision to kill off Snoke more. So in traditional Sith lore there is the rule of two. There is always a master and an apprentice. No more, no less (see, the prequels had some good dialogue). Typically, the greatest test for the apprentice is to face off against their master and take over. This is exactly what Kylo does in the throne room with Snoke. He is fulfilling his role in the rule of two which works well. Another thing is that I think Kylo’s motivation is to be better than the expectations that have been put on him. Through his life there are pressures on him. Jedi training, he is a Skywalker, he has to be the best. Snoke’s apprentice, the endless berating and pressure from his master, he has to be the best, goes to the length of killing his father to do so. But that’s not good enough. Next step is to take over from Snoke, become the Sith. Now in the scene, he notes that he wants to kill of the Sith (and the past in general it seems) which I love the idea of, but that’s another section. To finish off my point here, I think Kylo was great until he comes through after the throne room fight. He then goes from promising leader to a whiny kid, like he was at the end (or for most of) the first movie and that’s why from the first time I didn’t think he could carry a whole movie as it’s main villain. When he’s like that, he’s just not convincing enough of a villain, he’s almost like a cartoon character, him and Hux both.

Throne Room Fight

Man that was awesome. More of that please!

Rey’s Parents

Haha, haha, HAHA! Oh I am loving the reactions to this. I remember after The Force Awakens came out, I think I was speculating with some friends as to who the parents were. Typicals came out, she’s a Skywalker, Obi’s kid etc. But I just really, really wanted her to be unremarkable. I was bored of the Skywalker story, we had 6 films of Skywalker, let’s do something new. And hot damn they did. Her parents were nobodies! Now, this is pretty much only hinted at from Kylo, which leaves JJ to turn around and say “actually they are important, they are Jedi legends after all” which I would hate, so very much. I love her coming from nothing.

Hyperspace is Dangerous

This! This was seriously cool.

Betrayed By a Codebreaker

Argh! See, there’s a lot of bait and switch in this film (trilogy) and it’s frustrating at times. But I felt that DJ’s motivations were already defined by what he said to Finn in the stolen ship; talking about don’t be good or bad, just live free and survive. But it would’ve all ended better if Holdo just told Poe the plan and then none of them would’ve gotten killed, although it probably wouldn’t have taken the First Order long to find them on that planet…ah well.


This I’m annoyed at. From the trailer, I was looking forward to the fight between Phasma and Finn the most. I thought “this is going to be bad ass”. It started happening and I was with it, it was cool, exciting and….oh, over really quickly. Underwhelming and wasted. Oh and The Force Awakens doesn’t get off lightly with this either, what with that shot of her walking down that corridor like a complete bad ass in the trailer only to get punked in the film? Get the hell out!

Finn-Rose Love

Worst love story ever! Seriously, it makes Twilight seem like a Shakespearean classic. Just stop it. Bring back Anakin and Padme. To add to this, the hint of flirting between Poe and Rey…do not go there JJ!

Kylo vs Luke

Oh god we have to talk about this don’t we. I really don’t want to , but we have to. How could Kylo not tell that Luke was a projection?! One: with the force. Two: the lightsaber he just destroyed is being used by Luke. Three: the lack of footprints in the salt from Luke. Four: surviving that barrage of lasers. This is where I start to lose respect from Kylo and can’t see him carrying a movie as a villain on his own.

Luke’s End

….meh. I didn’t hate or love it, it was, meh. I would’ve preferred it if he was actually there on the planet but..meh. It was ok. But I liked his wink to C3P0. He’s the only one who’s actually nice to the droid.

The Kid and The Force

Couldn’t care less. Probably someone for Johnson’s trilogy.

My Initial Hopes Going In

Now like most I had my hopes going in, but they weren’t like most. My dream plot would’ve been something on the lines of, Kylo and Rey teaming up BUT not as Jedi or Sith, but just Force users. Being the balance. Then you had Snoke and Luke as the old school players but as a result of the conflict they were damaging the galaxy (similar in though to where Luke was talking about the rise of the Sith from the prequels) and it would take this new age of Force users to change everything for the better. We’ve seen through the history of the lore that the stark contrasts only brings war, you need balance to have peace. But no, there is no balance here. You have Kylo going all bad and even Rey is now going all good. People say there was conflict in these characters. For Kylo, yeah ok there was some, especially with Leia, and he made his choice in the end. On the second viewing I came on board with this and think for the next film, he should stay there with him growing his power and abilities. With Rey, egh, it wasn’t as good. The performance, the arc, just her overall. I don’t actually like Rey that much. She’s just…underwhelming. This entire film on the whole has been underwhelming. Had some cool moments, but just meh overall.

Episode 7 Connections

The main reason I think so many are being hostile with this movie is because The Force Awakens had set up so many plot points and characters and most of them didn’t get paid off in this film. Now, I think this is a fair criticism. We have three films here, all of which are connected. Three parts to a story. With the plot points and characters not paying off, The Last Jedi feels like a separate film and story all together. Now personally I didn’t mind most of it, in some cases I thought it was great, but this actually hurts The Force Awakens more. The times where there are hints or flashbacks to scenes that causes speculations are now just nothing; they have no meaning. Also what happened to C3P0’s red arm? It’s just gone!

Episode 9 Thoughts

JJ is back to direct -sigh- So, probably won’t be on my radar until the trailer comes out. Other thoughts:
Kylo should stay evil and be more powerful and an actual leader.
Bigger time jump between films so the rebels can be built up again.
Not have Leia killed off screen, that would be a disgrace to the character.
Make. Rey. More. Interesting.
No more Maz, please no more Maz.
Leave Phasma dead, I can’t face more disappointments.
Rose actually died at the end of the Last Jedi so we don’t have to put enough with that god awful love story.
Give Finn more to do, more him and Poe together, I love that bromance.
Anakin force ghost. Which leads me to…


I think Kylo needs a visit from Anakin. Kylo worships Vadar, that’s all he wants to be. I want just one scene, one scene where Anakin comes in and gives Kylo some insight or advice or something. Please JJ, if you do anything with episode 9, please be a scene between Kylo and Anakin.

The Film Me Vs The Star Wars Fan Me

I think a big part of why I had trouble formulating my thoughts on this film was because I am seeing it from two different perspectives. There is the film nerd side of me who thinks it’s a well directed and interestingly put together piece of sci-fi with some great set pieces, albeit with some inconsistencies. Then there’s the Star Wars fan side of me who is really underwhelmed by the movie. Yeah some of the action was great and liked some of the callbacks (force ghost Yoda) but it wasn’t that exciting for me. The space chase wasn’t that interesting in the end, the conflict on the salt planet was meh, really didn’t like those speeder things and the casino scene was some of the worst Star Wars I’ve seen. In the end, this was average. Had some cool moments, some interesting character bits but overall, average. If I had to give it a rating I would say 6/10.

Star Wars Ranked

So where does this sit among the other Star Wars films, from best to worst we have:

Empire Strikes Back
Rogue One
A New Hope
Return of the Jedi
The Last Jedi
Revenge of the Sith
The Force Awakens
The Phantom Menace
Attack of the Clones

Controversial I know. I love Rogue One the more I watch it and I hate The Force Awakens the more I watch that. Revenge of the Sith has some redeeming factors, more so than some may think, but that’s for another blog post.

Looking at: Joy

Right, I wasn’t originally going to see this, I didn’t like American Hustle and probably one of the very few human beings to not rate Jennifer Lawrence as an actor, no I haven’t seen Silver Linings Playbook, yes I’ll get around to it but haven’t seen much in other films she’s been in. So it’s safe to say I had very little expectations with this film. When the film started with this sudo soap drama setting and messy introduction of the characters, I can’t help but feel my expectations were being met. But, at the same time the Joy character had enough, so did the film and became better. By the end of it I’m glad to say that I not only enjoyed the film, but can now see what everyone was on about with Jennifer Lawrence.

Joy is the rags-to-riches/underdog story of Joy Mangano, a divorced mother of two, living in a hellish soap opera who becomes a success with her invention, the Miracle Mop. She is surrounded by endless naysayers who try to stop her reaching the top and put her in her place. But she keeps on fighting and against all odds with very little support manages to get where she wants to be.

Now I did enjoy the film, I’m a sucker for rags-to-riches stories, but it does have it’s flaws. Every character that isn’t Joy, are your very typical plot devices. They are all one note characters who are there to guide the Joy story along. They bring very little value to the film and you can’t help but think that the film would be no different if Joy was talking to post-it notes with their archetypes written on it. But take away the one note characters and meandering that is the first act, you are left with Joy, a well rounded and excellently performed character with an interesting core story. Seeing her succeed and to paraphrase of the characters “live in a mans world” was wonderful to watch. I was truly behind the character all the way. When things went well, I cheered, when things went bad, I cried, always with the character. I believed in her ability and when she went down and people put those barriers around her, I felt her rage and urged her to break them down.

If however there was something to criticize about the character and her portrayal it would be that part way through the story, Joy turns from a caring, hard working mother to a take no prisoners business kingpin in very quick succession which I didn’t find convincing at all. She does go back on track later but it feels more of a step backwards at the point.

But that aside I did enjoy Joy’s tale and performance but it is dragged down by it’s very lacking supporting characters which is a great shame.

Looking at: The Danish Girl

The Danish Girl, welcome to this years Oscar bait and boy does it show. When I first saw the trailer to this film in the cinema my first thoughts were: “here we go, theory of everything all over again.” When I came to watch the film, I was expecting the same shallow and distant mis-telling of an interesting and wonderful story, moved along only by the fantastic performances of the lead stars. What I got? Well…what I got wasn’t that but I’m not sure if it’s much better.

The Danish Girl is a film that is already riddled in controversy due to the lack of a trans actor playing the title role. To touch on it slightly, my concerns with the film has nothing to do with that, on the whole I thought Eddie Redmayne’s performance was rather good and he fitted really well into the role. To call this film transphobic because it didn’t cast a trans actor in the role is ridiculous and I urge people to not label it as so.

The title character is Einar Wegener, a painter who was born a man but identifies as a women. We meet the character in the midst of her success alongside her struggling wife’s (Gerda Wegener played by Alicia Vikander) career, also as a painter. One day when a sitter is late to appear in one of Gerda’s paintings, Einar sits in, donning stockings and a dress. This is the pivotal scene where we first see Einar’s realisation that she was born in the wrong body. Initially, Gerda goes along excitably with Einar’s exploration into this side of her; willingly going out to pick out dresses and teaching Einar how to appear and act as a women. It’s painted as a game the married couple share and enjoy, however things become too real for the two when Einar is approached by an admirer, played by Ben Whishaw, whilst in the Lili persona. So starts Einar’s journey to become a women, and so begins the breakdown of the Wegener marriage.

With the story aside, my concerns lie with how shallow the film’s telling of that story is. We are watching the first man to transform into a women and the complications it can bring to a marriage. The film is urging us, no, begging us to be on Einar’s side, to be gushing over the personal conflict she’s going through, and it thinks that it being a film about a trans person is enough. That we are obliged to be on their side. As much as I want to, and I really do, the film does a very poor job of getting me to do that. Now this isn’t the fault of Redmayne, his performance is really well done and you believe the conflict within the character, but is directed to be selfish and quite frankly harsh to others around her. Throughout the film, we see Einar being given tremendous amounts of support from others around her, no one (with the exception of some doctors and a couple of bystanders) rejects her choice or belief. Even her wife Gerda, who’s probably in one of the most difficult and testing situations one can find themselves, comes to fully support Einar. But time and time again, we see this support thrown back into the faces of the characters, more so than others Gerda. She endlessly tries to please Einar and do what she can for her but essentially gets burned for the efforts. However, there are points where the film becomes aware of this fact and tries amend Einar’s attitude, however it is handled so badly and rushed it just comes across as manipulative more than anything else.

But with that aside the performances are really good, but it isn’t Redmayne that should be collecting an Oscar this year, it is Vikander. Not only does she outperforms Redmayne, but she essentially carries the whole film. Every emotion, every conflict and every reaction can be seen in her performance alone. She brings great depth into the character and overall, you truly do side with her. You feel her pain and tragedy she goes through and you want to be at her side through it all.

Going on however, the film also greatly lacks ambition. Again it thinks because of it’s subject matter is enough to win the heart of the audience, but painting this tragedy as a glossy and whimsical tale shows how much the film doesn’t understand the story it’s telling. Even when we eventually get to the operation, there is no sense of struggle or hardship. The first ever gender reassignment surgery and it comes across as routine. The film makers attitude towards the topic is the same as the characters attitude towards Einar. They pussyfoot around the issue, they see it on the surface and they don’t want to understand, they just want to please and keep people happy. No ambition, no balls, no conflict. A shallow story kept abreast solely by Vikander’s performance.

Looking at: Entourage

Well I spent a lot of this laughing. Not with the film, but at the film. It was that bad.

Story: bunch friends want to make it big in Hollywood. Lead guy is a big shot actor and is directing his first feature, and boom it’s a success.

Now I haven’t seen the TV show, nor will I, and I heard pretty bad stuff anyway so I had low expectations. But man this is so bad, it didn’t even meet those. This is the most racist and sexist piece of cinema I have seen in a very long time. It’s not funny, the characters are all horrible people and the film is on their side. When you have a film with horrible people, they are suppose to satirized not praised. The director goes to say that this is the male fantasy. I am offended to think that this guy would go to say that every male living would fantasize about being hollow idiots with no respect for the people that surround them. There are even points in the film where the characters were to be taught a lesson due to their misdealings, but it just glosses over it all. The film looks on smuggly and allows these vile creatures to get away with anything. If they had killed someone the film would’ve let them get away with it through the power of believing they are better than everyone and that they should all bow at their knees. There are some cameos which are somewhat funny but that’s not enough to save this film.

If there were some explosions in this it would be a Michael Bay film. It has the same level of offensive and disgusting material as Transformers. There are racist stereotypes, women treated as objects and morally bankrupt characters. All the cameos that happened looked as if they were embarrassed to be there.

Don’t watch this, it’s worse than Transformers, it’s worse than Movie 43, it’s worse than anything that’s made it to the big screen. If it weren’t for the TV show, I feel it wouldn’t even made it there.

Looking at: Whiplash

Undeniably the most intense film of the year. Of the decade. I have been looking forward to this film ever since I saw the trailer back in November and it did not disappoint.

Whiplash is about Andrew Neiman, a wannabe-jazz drummer who wants to be the greatest. He gets picked up by Terence Fletcher, the drill sergeant like jazz instructor, to join his band where the best of the best play. However we soon find out it’s not all fun and games at the top. Fletcher’s philosophy on pushing someone beyond what’s expected of them to become the best blurs the lines between pushing and bullying. He frequently humiliates those who fail to meet his standards and go off on a tirade on those who miss out by a hair. Only perfection exists in his band and nothing less and Neiman wants to be that perfect at any cost. The two are the perfect match for each other. They will challenge each other to be the best at any cost.

The story of this is very basic which goes to show you can a great film out of anything. The performance is what really makes this film, especially from JK Simmons, playing the force of nature that is Fletcher. He perfectly encapsulates the tortured nature of a cruel and bullying tutor. Perfection at any cost. At the basis of it, the search for perfection makes both characters quite unlikeable on their own. Neiman have other people in his lives, his father and a girl he dates briefly, but omits them very easily in his pursuit for greatness.

The fast paced nature of the music marriages well with the film’s pace. It hits the ground running from the very beginning and the editing very much so displays this perfectly. With cuts matching the fast drum beats and perfectly framed intense shots of instruments and close ups of the characters.

This is the most intense and well acted films from this year’s awards season. A must watch.

Looking at: The Hobbit: The Battle of the Five Armies

And so we come to the end. The end of the thirteen year journey that we all started on with the Fellowship of the Ring in 2001. A wondrous and emotional farewell.

I know the book’s been out for over seventy years but for those who haven’t read it, SPOILER WARNING.

The Battle of the Five Armies is the final installment to The Hobbit trilogy which depicts the final part of the 1937 novel. The mountain is won, with word reaching the four corners of Middle-Earth, armies of Elves, Men, Dwarves, Orcs and (eventually) Eagles set sight upon Erebor to bask in it’s riches. The film is exactly what it says on the tin, one massive battle. This in it’s self is both the film’s strength and weakness. Strength as it’s a grand spectacle of a battle filled with large set pieces and fantastic stand offs, weakness as it’s not much more than that. This goes on to the answer the question on everyone’s lips, should The Hobbit have been split in three parts? I would say no. I liked that it included parts that wasn’t in the book, especially when Gandalf was off doing wizard stuff as it nicely linked into the Lord of the Rings. The bits with Legolas was ok but the romance between Kili and Tauriel was weak at best of times and worse in this film. My main gripe with the trilogy aspect comes from this film. It comes in at 144 minutes, very lean for a Middle-Earth film, with the non-book moments feeling very misplaced. The films feels like it should’ve been at the end of the second film (as much as I do love the perfectly put together final sequence of Desolation of Smaug). The part where Sauron makes an appearance was very disappointing. It was very quickly dismissed and badly put together. I think more with Saruman was needed along with the opening sequence with Smaug. If you’re gonna make the third film, at least fill it up enough. In short, I think it should have been two parts like they originally planned. Make the beginning of An Unexpected Journey shorter so you could have some Gandalf side quest from Desolation. Then with the extra room have more of a conflict with Sauron along with the Battle.

Overall it was a very satisfying film. The highlights were Thorin’s duel with Azog and Bilbo’s farwell. Billy Boyd’s song The Last Goodbye is the perfect farewell featured over the closing credits. A very fitting end to not only The Hobbit trilogy, but to the Middle-Earth saga.

Something a little extra. To save time when people will ask me in the future here are the Middle-Earth films ranked. This was bloody difficult. These are just my opinions and are ranked among themselves. They are all wonderful films and will stand throughout time as one of the greatest achievements in cinema.

1. The Lord of the Rings: The Return of the King
2. The Lord of the Rings: The Two Towers
3. The Hobbit: The Desolation of Smaug
4. The Lord of the Rings: The Fellowship of the Ring
5. The Hobbit: The Battle of the Five Armies
6. The Hobbit: An Unexpected Journey

Looking at: Interstellar

Gonna say this now, SPOILERS ahead. It’s a good film and you should watch it. Something I would say is that if you didn’t understand Inception, you will have a tough time with this film, but it shouldn’t put you off because it can be easy going if you let it. If you don’t want to know more than that, stop reading now.

Now, Interstellar is the latest film by Christopher Nolan, the mastermind behind the bendy films of Inception and Memento. The story is how a group of astronauts go off to find a new home for the human race. The film is a visual masterpiece and very accurate with regards to it’s science. At just under three hours running time, it’s a very easy moving epic which doesn’t feel long. It’s a roller coaster adventure that takes you from Earth to the far reaches of space.

I personally enjoyed it very much. I’m a big science-geek with regards to space travel and the fact that it was doing wormholes and black holes properly was very exciting. Just the scale of the film was epic, it felt very epic. The amount of stuff they went through in the film was astronomical. However, the film does fall down in some aspects. When it came to the emotional scenes, I felt they weren’t properly dealt with. Now I wasn’t following the development of the film as I wanted to go into it with a fresh mind but I learnt recently that the film was intended for Steven Spielberg to direct, which does show through these emotional scenes. Nolan is known for having very emotionally absent films; the complexity of the story and science behind the film is right up his alley but with the emotions and humanity side of the film is probably better suited for Spielberg. However with the two big tear-jerker moments, they did deliver.

However, what I really want to get down to is the third act. Now there are three big reveals in this film, two of which I saw coming and the third is somewhat predictable once you think about it. In the final act, McConaughey’s character, Cooper, goes into a black hole. Doing so he enters what is called the fifth dimension. I’m not gonna explain what that is as it is a very complex subject so I will leave this link for you to read up on. (Fifth Dimension) But in short I would say that if you take someone’s life, and track their point from birth to death, the fifth dimension is every possibility that could happen and you can interact with it (I think, this is rather deep stuff). So there’s Cooper with his daughter’s life around him. Earlier in the film, these “ghostly” occurrences leads Cooper to NASA where he then goes on to his mission. We find out that these occurrences are Cooper himself in the fifth dimension. Now I was watching this bit thinking “yeah that’s pretty good, pretty sad in parts…but something’s not right”. And they use the “love will conquer all” answer which was hinted earlier in the film. Now this is something that has to be handled very well. It’s very easy to get wrong and I’ve seen it fall in the past. This was the part that Spielberg would’ve excelled at, this had his name all over it. Sadly with Nolan, it wasn’t really executed perfectly. It was ok, but not what I would like.

All in all, I really enjoyed the film, I came out of it mind blown but I did sit there at points thinking “this scene is uncomfortable”, and unfortunately, it is the emotional scene and that third act. People have been asking me is it better than Inception and is it Nolan’s best film. It’s not Nolan’s best film, that title still belongs to Memento. Is it better than Inception? That’s very difficult to say as they are very different films. Inception is more enjoyable, but Interstellar is smarter. What I went in wanting to watch is a very thought-provoking film which is enjoyable, which is what I got. This is the same I got with Inception but the enjoyment outweighs the thought-provoking. If you want to enjoy a film that makes you think a bit, watch Inception. If you want to come out experiencing a very fun and thought-provoking space journey, watch Interstellar.

Enjoy the trailer.

Looking at: The Judge

Going from a bad film to a great one. I’ve been using one word all day to describe this film and that’s “perfect”. And man is it. The film tells the story of Hank Palmer, an arrogant, self-obsessed lawyer, portrayed fantastically by Robert Downey Jr. On the day of a trail, he gets a call saying that his mother had just passed away. Going back to his hometown, he is reunited with his two brothers and cold-hearted father, Judge Joseph Palmer. Later, Judge gets arrested for a hit and run charge. This leads Hank to represent Judge in the case.

The story is very detailed, filled with depth and twists. It left me feeling very moved and glad as I had very high hopes for this film. The performance was off the charts. Downey was on top form as always and Duvail is perfect as Judge. Also had a very nice appearance from the formidable Billy Bob Thornton. At the heart of this film, we have a lovely heart warming tale of a distant child reconnecting with his forgotten family. There’s been a few of these tales lately but this one tells it most honestly and is presented in a very compelling situation, a situation where both parties have to put their differences aside and work together to benefit each other.

As I said before, just perfect. Check it out.

Looking at: Teenage Mutant Ninja Turtles

Well that was terrible. The latest adaptation of our favourite four turtles is horrible. Now the script, action sequences and acting are all pretty bad, but the worse thing about this film is the character designs. Man it’s worse that the transformers design. The turtles are all really ugly with Splinter being the worse.

The film fails to capture the essence of the original characters. They’re all stereotypical archetypes of nerd, perv, angst and normal when the characters are suppose to be so much more than that. There is no depths to these characters or the situations they’re in. Shredder is not as he is in the comics and the television shows. He had a much more intimidating and important presence, here he’s basically an attack dog and that’s all his character amounts to. The plot is very thin, the history of the Foot Clan and the turtles is very rushed and delivered poorly.

These characters were treated with the same disrespect and disregard as Transformers was, which is no surprise as this was produced by Michael Bay. It’s a very sad sight to see our favourite childhood heroes be reduced to mindless drivel to feed the masses. Not impressed.

This doesn’t even deserve a trailer link.

Top Ten Film: David Fincher

With the release of Gone Girl, David Fincher has reached his tenth film. Let’s list them.

10. Panic Room

Fincher’s fifth film is also his worst film. On it’s own merits it’s an enjoyable popcorn thriller with a rather mediocre story but some great acting. But in the grand scheme of Fincher’s filmography, it feels very lacking.



9. Alien 3

Fincher picked the right series to create his debut feature film. With the other three cementing the careers of legend film makers, Fincher joined their ranks. However, the film itself is very lacking in it’s story, not the fault of Fincher as he did arrive late into production, but it took the series off track. When it comes to the production, it’s a very well put together film. It has Fincher’s unique style all over it.



8. The Game

Now this was an odd film. It’s about man who experiences a lethal series of events which is described as a game. Great acting and style but it just gets more and more confusing as the film progresses. And the ending is very off putting. On the plus side, Sean Penn is fantastic.



7. The Girl With The Dragon Tattoo

Great acting, lovely style and well put together. Just not very engaging characters. Interesting characters, just feel very detached from them. It’s difficult to care about them.



6. The Curious Case of Benjamin Button

Now this was fun. A tale about a man who ages backwards is gonna take you on a twisty ride. It’s a very moving piece with lovely CGI.



5. Fight Club

The top five. The best of the best. Fight Club is probably one of the biggest cult classics of our time. Gritty with brilliant performances. Wasn’t a crowd-pleaser when it came out due to it’s very “different” approach, but it soon became a favourite among film fanatics. A must see for everyone.



4. Seven

The one that made Fincher’s name. Two detectives go on the hunt for a serial killer who’s crimes are related to the seven sins. Will keep you guessing till the very end. Well directed, and a knock out cast.



3. Gone Girl

Fincher’s newest addition to his great array of work. Adapted from Gillian Flynn’s best seller, Gone Girl tells the story of a man dealing with the fallout of his missing wife. And if you think that’s the whole story, you are very wrong. It’s goes so much deeper than that. A complex story that only Fincher could put on the big screen.



2. Zodiac

Based on the famous story of the Zodiac killer, this film re-tells the movements of Robert Graysmith who quickly became obsessed with the Zodiac killer and uncovered his identity through amateur detective work. The atmosphere of this film is chilling at the best of times, and the visuals has that very distinct Fincher look, where a shot can look beautiful and murky at the same time. Check this out.



1. The Social Network

This is the one. The best of the best. One of my favourite films of all time. Not only a great film, but a very important film for our time. An in depth character study on how success, money, power and social importance can change people and turn friends into enemies. A film about geeky students typing on keyboards and ripping each other off. Doesn’t sound very interesting, but in the hands of the great David Fincher, it’s the most invigorating and compelling film of our time.